programme

 

Keynote speakers

 

Professor Caroline Knowles

 

Caroline Knowles is Professor of Sociology at Goldsmiths, University of London. Caroline writes about migration and circulations of material objects – some of the social forces constituting globalisation. She is particularly interested in cities, having done research in London, Hong Kong, Beijing, Fuzhou, Addis Ababa, Kuwait City and Seoul. 

 

Author of many books and papers, she specialises in visual, spatial and biographical methods, often working with photographers and artists, most recently with Michael Tan (Nanyang Technological University, Singapore), and Douglas Harper (Duquesne University, Pittsburg). She is co-author, with Douglas Harper, of Hong Kong: Migrant Lives, Landscapes and Journeys, published (2009) by the University of Chicago Press.Caroline recently held a Leverhulme fellowship, ‘From Oil to Garbage: Navigating the Flip-flop Trail’. She works with Ho Wing Chung, at the City University Hong Kong, on ESRC project, ‘What calculations and Strategies Drive Young Migrants? An Investigation of the Traffic between London, Hong Kong and Beijing’, and with Roger Burrows, Rowland Atkinson, Tim Butler and Mike Savage on ‘The Very Affluent Worker: A Study of Everyday Life in the Alpha Territory’.

 

The Flip-Flop Trail

 

Source: Goldsmiths, University of London

 


 

Professor Richard Koeck

 

Richard Koeck is Professor and Chair in Architecture and the Visual Arts in the Liverpool School of Architecture and is Director of the Centre for Architecture and the Visual Arts. He holds a professional degree in Architecture from Germany and two postgraduate degrees from the University of Cambridge in Architecture and the Moving Image (M.Phil. and Ph.D.).


Richard has worked on several UK Research Council-funded research projects and won numerous research grants that were dedicated to the study of cities, film and digital media. His work is methodologically underpinned by the use of techniques and theories that bridge analogue and digital culture, including film productions, 3D animations, augmented reality and locative media applications, digital mapping (GIS/GPS) and the constructing of digital databases.

 

He is co-editor of several books, including Cities in Film: Architecture, Urban Space and the Moving Image (2008), The City and the Moving Image (2010) and Cinematic Urban Geographies (2017), author of numerous articles and book chapters on film, visual culture and advertising, and author of the monograph Cine|Scapes: Cinematic Spaces in Architecture and Cities (Routlege, 2012). He currently writes the monograph Inhabiting the Image (Routledge, Forthcoming)

 

Centre for Architecture and the Visual Arts (CAVA)

 


 

Alan Oei

 

Alan Oei is an artist-curator whose work and projects examine the intersection of art history and politics. As artist, most of his current practice revolves around his alter-ego, Huang Wei, the post-war painter of dead children. His work has been shown in Singapore,

Malaysia, Hong Kong, Australia and the USA. He is the co-founder and director of OH! Open House which runs site-specific art projects like No Man's Land and The Bizarre Honour, in addition to its annual art walk. He is also artistic director of Singapore’s first

independent contemporary arts centre, The Substation.

 

The Substation